Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

Click here for more on Barry Hannah and Long, Last, Happy
Forty Thieves by Thomas Perry
Matterhorn by Karl Marlantes
 
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"A magical fable . . . Roffey handles this modern-day metamorphosis beautifully; her imagery is original, the story completely beguiling." —Eithne Farry, The Daily Mail (London)
August Frost
A Novel
By Monique Roffey
Grove Press
978-0-8021-4046-3 • $13.00 • Paperback • May 2004
Fiction
A dazzlingly sensual debut about metamorphosis and discovery from a young writer of tremendous originality, August Frost is “rich and layered and sophisticated in a way that not enough novels are” (Booklist)

August Chalmin is a tall, pale, painfully shy young man with blood-orange hair and sun-shy eyes, who hides his awkwardness working behind the counter of the gourmet deli in London’s Shepherd’s Bush neighborhood. One winter day he finds a rash on his arm that resembles the crystalline frost on his windowpane. Later, snow begins to fall around his head and his fingers turn blue. Is it some rare disease that has triggered this strange reaction, or the appearance in the neighborhood of his mother’s old lover Cosmo? Could it even be an allergy to the deli’s new orange cheese, which seems to mock his own coloring?

As Cosmo taunts him with doubts about the identity of his father, August’s body changes with the seasons. Through a year’s wonderful metamorphosis—through snowstorm, heat wave, eclipse, and a search for the truth—August changes into himself.

August Frost is an enchanting book of extraordinary freshness and sensuality that recalls the unorthodox magical realism and beguiling earthiness of Joanne Harris’s Chocolat. Mingling lyrical depth and subtle wisdom, it will resonate in readers’ hearts long after the last page is turned.
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