Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

Click here for more on Barry Hannah and Long, Last, Happy
Forty Thieves by Thomas Perry
Matterhorn by Karl Marlantes
 
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“Grant succumbs to indigenous American wanderlust, exploring the land mostly left of the Mississippi in a journey of discovery for himself and other agoraphobics. . . . [American Nomads is] a diverting jaunt with vagabonds of the West’s open roads and backwoods: mobile nobility nicely considered.” —Kirkus Reviews
American Nomads
Travels with Lost Conquistadors, Mountain Men, Cowboys, Indians, Hoboes, Truckers, and Bullriders
By Richard Grant
Grove Press
978-0-8021-4180-4 • $16.00 • Paperback • Feb. 2005
Travel Literature
Fascinated by the land of endless horizons, sunshine, and the open road, Richard Grant spent fifteen years wandering throughout the United States, never spending more than three weeks in one place, and getting to know America’s nomads—truckers, tramps, rodeo cowboys, tie-dyed T-shirt concert followers, flea market traders, retirees who live year-round in their RVs, and the murderous Freight Train Riders of America (FTRA).

As an outsider aching for the “balm of motion,” Grant uses these lives and his own to examine the myths and realities of the wandering life, and its contradiction with the sedentary American dream. “Forget the white picket fence, the house in the suburbs, the monthly mortgage payment and all that crap,” says a truck driver Grant rode with on one of his adventures. “Americans dream about burning down the house and saddling up the horse and it’s been that way ever since the plains were knee deep in buffalo shit.”

Along with a personal account, American Nomads traces the history of wandering in the New World, through vividly told stories of frontiersmen, fur trappers and cowboys, Comanche and Apache warriors, all the way back to the first Spanish explorers who crossed the continent. What unites these disparate characters, as they range back and forth across the centuries, is a stubborn conviction that the only true freedom is to roam across the land.
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