“An elegantly turned meditation on the cold realities of age, the waning of strength and beauty and the production of literary myth. . . . Adios Hemingway reads cleanly and feels simple, but in his dreamy, dogged pursuit of Hemingway . . . the former Inspector Conde is as psycholiterary a gumshoe as any Paul Auster fan could wish for.” The New York Times Book Review
978-1-84195-795-1 • $13.00 • Paperback • Apr. 2006
“Crisp and confident . . . an inspired piece of historical recollection that has cajones without ever taking itself too seriously.” Michael Palin
Padura Fuentesone of Cuba’s best-known and most widely acclaimed writershas written a first-rate detective story set against the backdrop of Hemingway’s Cuba. Part fascinating examination of Hemingway the man in his trying final years and part nifty postmodern procedural, Adiós Hemingway will engross Hemingway fans while keeping them in suspense until the final pages.
When the skeletal remains of a man brought down by two buckshots forty years earlier surface on the Havana estate of Ernest Hemingway, writer, drinker, and ex-cop Mario Conte reluctantly accepts a reinstatement to investigate. As the truth of the night of October 3, 1958, slowly reveals itself, Conte must come to terms with his idealistic memory of Papa Hemingway on Cuba’s sun-drenched docks from when he was a child tagging along with his grandfather.
Padura Fuentes weaves Conte’s world with that of Hemingway’s Cuba four decades earlier, a period marking the beginning of Hemingway’s decline. In the heat-and-rum haze, the eras and personas begin to merge in this evocative, compelling novel.