Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

Click here for more on Barry Hannah and Long, Last, Happy
Forty Thieves by Thomas Perry
Matterhorn by Karl Marlantes
 
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Singing at the Gates By Jimmy Santiago Baca

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“The finest memoir I’ve read in I don’t know how long. It reminded me of the rawness of George Orwell combined with the human exuberance of Neruda’s memoirs. . . . This book will have a permanent place in American letters.”
—Jim Harrison
A Place to Stand
The Making of a Poet
By Jimmy Santiago Baca
Grove Press
978-0-8021-3908-5 • $16.00 • Paperback • July 2002
Memoir

Jimmy Santiago Baca, winner of the Pushcart Prize and the American Book Award, has been called an heir to Pablo Neruda and one of the best poets in America today. At the age of twenty-one, however, he was illiterate and facing five to ten years in a maximum-security prison for selling drugs. Five years later he emerged from prison with the ability to read and a passion for writing poetry. A Place to Stand is his memoir of childhood on small farms in New Mexico, his adolescence spent in orphanages and detention centers, his years as a drug dealer in San Diego and Arizona, and his extraordinary personal transformation under harrowing conditions behind bars.

Deserted by his family, Baca escaped from an orphanage to face violence and bigotry. He ignored anyone who offered a way out, using his talent for fighting to stay strong on the rough-and-tumble streets. Unemployed, Baca experimented with crime—and finally turned to drug dealing.

In prison, Baca describes the extreme measures he has to take to survive, from beating another inmate with a lead pipe to slicing an attacker's stomach with a butcher's knife. Although these were acts of self-defense, they landed him repeatedly in solitary confinement. His time in isolation was intended to break his spirit, but it proved to the catalyst for an extraordinary series of memories and revelations that endowed him with an indomitable will to resist the dehumanization of prison life. Poetry became and essential element of this newfound sense of self, and the act of writing offered a powerful means of transcending his surroundings. A Place to Stand is a vivid portrait of life inside a maximum-security prison and an affirmation of one man's spirit in overcoming the most brutal adversity.

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