Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

Click here for more on Barry Hannah and Long, Last, Happy
Forty Thieves by Thomas Perry
Matterhorn by Karl Marlantes
 
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The Scent of Your Breath By Melissa P.,
Translated from the Italian by Lawrence Venuti
“The erotic adventures of a sexually ravenous girl . . . A wisp of a book that has had a wallop of an impact . . . readers have simply devoured it.”—The New York Times
100 Strokes of the Brush Before Bed
By Melissa P.
Translated from the Italian by Lawrence Venuti
Black Cat
978-0-8021-1781-6 • $13.00 • Paperback • Oct. 2004
Erotica
The best-selling erotic novel by a Sicilian teenager about a young girl’s search for love in a pornographic world—“a scandal a la Catherine M.” (L’Espresso, Italy)

An instant blockbuster in Italy where it has sold over 850,000 copies and scandalized the nation, and it has gone onto become an international literary phenomenon, 100 Strokes of the Brush Before Bed is the fictionalized memoir of Melissa P., a Sicilian teenager whose quest for love rapidly devolves into a shocking journey of sexual discovery.

Melissa begins her diary a virgin, but a stormy affair at the age of fourteen leads her to regard sex as a means of self-discovery, and for the next two years she plunges into a succession of encounters with various partners, male and female, her age and much older, some met through schoolmates, others through newspaper ads and Internet chat rooms. In graphic detail she describes her entry into a Dante-esque underworld of eroticism, where she willingly participates in group sex and sadomasochism, as well as casual pickups. “I have no remorse. . . . It’s not much use debating whether it’s good or bad. If I had the chance, I’d do it all again.” —Melissa P. in The Bookseller  Melissa’s secret life is concealed from family and friends, revealed only in her diary entries.

Told with disarming candor, Melissa P.’s bittersweet tour of extreme desires is as poignant as it is titillating. One Hundred Strokes of the Brush Before Bed is a stunning erotic debut, a Story of O for our times.

“I discovered myself through sex—through a specific kind of sex which was very different from the kind I engage in now, which is much more normal. . . . Every adolescent to some extent, and especially me, believes that life has to be lived to its fullest extent: all or nothing, black or white, life and death.”  —Melissa P., in The Bookseller


• Foreign rights sold in twenty-four countries
• Film rights sold to Francesca Neri, star of The Ages of Lulu and Live Flesh
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