Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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The White Van by Patrick Hoffman
The White Van
Gritty, exhilarating . . . The White Van, with its quick and scary turns, provides a hell of a ride; the action never stops—even after the final page.”
The Wall Street Journal

Outstanding . . . Hoffman writes with great authority”
Publisher's Weekly
(starred review)

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An Unnecessary Woman
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A debut novel longlisted for the 2013 Man Booker Prize, The Marrying of Chani Kaufman is an insightful portrait of faith and love in an Orthodox Jewish community in North London

The Marrying of Chani Kaufman
By Eve Harris
Black Cat
978-0-8021-2273-5 • $16.00 • Paperback • Apr. 2014
Fiction
“One of those books you cannot put down . . . Some of the women could have been created by Jane Austen.” —Sunday Express

The Marrying of Chani Kaufman is a debut originally published by a small independent Scottish press that is already garnering significant attention worldwide.

London, 2008. Chani Kaufman is a nineteen-year-old woman, betrothed to Baruch Levy, a young man whom she has seen only four times before their wedding day. The novel begins with Chani wearing a wedding dress that has been passed between members of her family and has the yellowed underarms and rows of alteration stitches to prove it. All of the cups of cold coffee and small talk with suitors have led up to this moment. But the happiness Chani and Baruch feel is more than counterbalanced by their anxiety: about the realities of married life; about whether they will be able to have fewer children than Chani’s mother, who has eight daughters; and, most frighteningly, about the unknown, unspeakable secrets of the wedding night. As the book moves back to tell the story of Chani and Baruch’s unusual courtship, it throws into focus a very different couple: Rabbi Chaim Zilberman and his wife, Rebbetzin Rivka Zilberman. As Chani and Baruch prepare for a shared lifetime, Chaim and Rivka struggle to keep their marriage alive—and all four, together with the rest of the community, face difficult decisions about the place of faith and family life in the contemporary world.

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