Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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The White Van by Patrick Hoffman
The White Van
Gritty, exhilarating . . . The White Van, with its quick and scary turns, provides a hell of a ride; the action never stops—even after the final page.”
The Wall Street Journal

Outstanding . . . Hoffman writes with great authority”
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A trip down memory lane from one of the most celebrated Baby Boomers of all—a fantastically funny, anecdote-filled portrait of the generation that discovered sex, drugs, rock ’n’ roll



The Baby Boom
By P. J. O'Rourke
Atlantic Monthly Press
978-0-8021-2290-2 • $15.00 • Forthcoming in Paperback • Nov. 2014
978-0-8021-2197-4 • $25.00 • Cloth • Jan. 2014
Political Science, Humor
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In The Baby Boom, O’Rourke, born at the peak of the Baby Boom, turns his keen eye on himself and his 75 million accomplices in making America what it is today. With laughter as an analytical tool, he uses his own very average, if sometimes uproarious experiences as a key to his exceptional age cohort. He writes about the way the postwar generation somehow came of age by never quite growing up and created a better society by turning society upside down.

The Baby Boom: How It Got That Way . . . And It Wasn’t My Fault . . . And I’ll Never Do It Again is at once a social history, a group memoir of collectively impaired memory, a hilarious attempt to understand his generation’s messy hilarity, and a celebration of the mess the Baby Boom has made.










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