Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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An Unnecessary Woman
An Unnecessary Woman

“Studded with quotations and succinct observations, this remarkable novel by Alameddine is a paean to fiction, poetry, and female friendship. Dip into it, make a reading list from it,
or simply bask in its sharp,
smart prose.”

—Michele Leber, Booklist (starred review)

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The Old Ball Game By Frank Deford
“Equal doses of self-deprecating humor and anecdotal history of American sports journalism are the essence of Frank Deford’s entertaining new memoir.” —Chicago Tribune
Over Time
My Life as a Sportswriter
By Frank Deford
Grove Press
978-0-8021-4606-9 • $16.00 • Paperback • May 2013
Sports
Finalist for the PEN/ESPN Award for Literary Sports Writing

“The mixture of homage to sportswriters who came before him, such as Grantland Rice; sometimes wistful vignettes of sports figures like Arthur Ashe; and his own personal reflections on the evolution of sports journalism combine to offer a cultural perspective that transcends a mere job.” —Publishers Weekly (Top 10 in Sports)


Frank Deford’s splendid memoir Over Time: My Life as a Sportswriter received critical acclaim and media attention on hardcover publication.

In Over Time, Deford chronicles the heroes and the characters of just about every sport in nearly every medium. Deford joined Sports Illustrated in 1962, fresh out of Princeton. They called him the Kid, and he made his name discovering fellow Princetonian Bill Bradley and a Canadian teenager name Bobby Orr. These were the Mad Men–like 1960s, and Deford recounts not just the expense account shenanigans and the antiquated racial and sexual mores, but the professional camaraderie and the friendships with athletes and coaches during the “bush” years of the early NBA.

Interwoven through his personal history, Deford lovingly traces the entire arc of American sportswriting from the lurid early days of the Police Gazette, through Grantland Rice and Red Smith and on up to ESPN. This is a wonderful, inspired book—equal parts funny and touching—a treasure for sports fans. Just like Frank Deford.

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