Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

Click here for more on Barry Hannah and Long, Last, Happy
Forty Thieves by Thomas Perry
Matterhorn by Karl Marlantes
 
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Jim Dodge
By This Author

Rain on the River

Not Fade Away

Stone Junction
From Jim Dodge:

Jim Dodge was born in Santa Rosa, California, in 1945, where he lived for six years until his father, a carpenter and former WWII bomber pilot, was recalled to active duty as a flight instructor during the Korean War. Jim spent an uncommonly peripatetic youth as an Air Force brat, living in Texas, Wyoming, southern California, and Labrador, where he went through puberty on Goose Bay Air Force Base. The only five girls his age within a thousand miles were madly in love with Ricky Nelson, a twisted situation that no doubt contributed to what would become a virulent antipathy for American stardom and the vast cultural commodity spectacle that serves as its bloated host.

When Jim left Labrador in 1957, he was considered an extremely minor math prodigy-in fact, he asked for a slide-rule as a present for his 11th birthday-but two years later, reeling from the spring bloom on the flower-seed farms of Lompoc, California, Jim fell in love with Terri Cochran, whose luminous brown eyes he still recalls with a shudder, and his interest and ability in mathematics disappeared, its elegant certainties relinquished to love's bewilderment.

In 1959 Jim's father received a medical discharge from the Air Force, and Jim and his family returned to Santa Rosa. Jim graduated from Montgomery High School, where he was elected Senior Class President and co-captain of the football team. After declining a congressional appointment to a service academy, Jim enrolled at Humboldt State University in 1963, initially majoring in fisheries management. However, an epiphany during a fraternity initiation, coupled with a whiff of revolution in the air, led him to begin his early struggles writing poetry and essays, work he found so rewarding that he abandoned the fisheries curriculum early in his junior year in favor of an interdisciplinary degree combining English, journalism, and biology. He graduated with his class in 1967, and was admitted to the University of Iowa Writers' Workshop the same year, receiving his MFA in poetry in 1969.

After teaching at a Catholic women's college in Dubuque, Iowa-an ill-fated appointment that barely lasted a year-Jim, at 23, retired from teaching and returned to the Pacific Coast to care for his brother, Bob, who had been badly injured in a car wreck. Jim worked as a shepherd in Humboldt County for a few years, seeing his brother through numerous surgeries, then moved to Root Hog Ranch in the coastal hills of western Sonoma County, where he spent the next 15 years living on an isolated ranch with an extended family of kindred spirits, including his brother and, in sweet particular, Victoria Stockley, his covivant (and later his wife) since 1971. During his years at Root Hog Ranch Jim continued writing, diligently working on his chops and, when he had to, at a variety of jobs (woodcutter, professional card player, seasonal laborer) to make ends meet. Fortunately, because the ranch was nearly self-sufficient, the ends weren't too far apart, and Jim had been blessed with an early understanding that there were two sure paths to affluence: the first was to sell your time and energy for the power to buy what you wanted; the second was to not want much. Because his first and abiding passion was poetry, Jim, almost by default, chose the second path.

In their first seven years at Root Hog, Jim and his cohorts constructed buildings from salvaged materials, planted large gardens, sowed grain fields, developed water systems, established orchards, purchased a dairy cow and other farm animals, and honed their hunting, fishing, and gathering skills. During the final seven years at Root Hog, he joined his friends as a founding partner of Leonard Charles and Associates, an environmental consulting firm that began with two manual typewriters on the kitchen table and remains to this date one of the most reputable environmental businesses in northern California. Jim also worked on the Cazadero Forest Workers' Cooperative, which Victoria had been instrumental in forming, involving himself particularly in tree-planting, erosion control, and as the sawyer on a stream clearance crew.

With the success of his first prose fiction, Fup, in 1983, Jim and Victoria decided to travel for a year in Mexico, living in Tepoztlan and Sayulita before a severe bout of hepatitis forced their return to the U.S. in the mid-'80s. They settled in Crescent City near his brother, whose health was declining. Jim supported himself on writing and part-time teaching. In 1992, he and Victoria adopted Jason Stockley Dodge, the son of Victoria's sister. Two years later, soon after his brother Bob had died, Jim and his family moved into the Klamath Mountains, where they currently reside.

Forced into adulthood with Jason's adoption, Jim accepted a full-time appointment (and the attendant benefits) at Humboldt State University in 1995, where he serves as the Creative Writing Coordinator in the Department of English.

Jim continues to write poems, essays, rants, screeds, and reviews, recently collecting his poetry chapbooks, broadsides, assorted short prose, and 30 new poems into Rain on the River, due May '02 from Grove Press in the U.S. and Canongate Books in the U.K. For the last half-dozen years Jim has been working on a new novel, tentatively titled Mr. InBetween, whose narrative demands continue to defeat his abilities. Nonetheless, he finds considerable delight in his work, family, friends, and students. He hopes his gratitude proves equal to his good fortune.


Bibliography

Novels

Fup (City Miner Books, Simon & Schuster , 1983), now in 12th paperback edition; translated into 14 languages.

Not Fade Away (Grove/Atlantic, 1987), 2nd edition; five foreign editions.

Stone Junction (Grove/Atlantic, 1999), 2nd edition; seven foreign editions.

Poetry

da Vaca in a Vanishing Geography (Mad River Press, 1973) [Anonymous, OP]

Solla Sollew (Mad River Press, 1975) [With Bob Funt; Anonymous, OP]

Palms to the Moon (Tangram Press, 1985) [OP]

Bait & Ice (Tangram Press, 1992) [OP]

Piss-Fir Willie (Tangram Press, 1999) [OP]

Rain on the River: New and Selected Poems and Short Prose (Grove Press, U.S.; Canongate Books, U.K., 2002)

Essays and Other Writing

"Living by Life: Bioregional Theory & Practice," CoEvolution Quarterly (Winter, 1981)

"Introduction," A Gary Snyder Reader (Counterpoint Press, 1999)

"Getting Real on Drugs, Parts I and II" Wild Duck Review (Fall 1998, Winter 1999)

"Ironhead Journal" and "On the Natch," (regular columns), Northcoast View (1987-89)

"The Body of Metaphor: 15 Propositions about the Mechanics, Magic, and Meaning of Figurative Language," Wild Duck Review (Winter 2000)

"Whacking It: A Modern List of Terms for Male Masturbation," Dazed and Confused (U.K.) (July 2000)
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