Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

Click here for more on Barry Hannah and Long, Last, Happy
Forty Thieves by Thomas Perry
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Brian Antoni
By This Author

South Beach

Paradise Overdose
Brian Antoni is a descendant of the second oldest family in the Caribbean, an aristocratic dynasty whose multi-ethnic roots stretch from the southernmost island of Trinidad, to the northernmost island, Grand Bahamas.  His family tree includes French Creole sugar plantation owners, utopians, pirates, oil tycoons and now a new generation of cutting edge creative artists and thinkers.

When Brian was a year old, his parents moved from Trinidad to Freeport, Bahamas—buying into the vision of a multi-millionaire ex-convict who dreamed of building a society free of taxes. Brian remembers seeing the roads and buildings carved out of the wilderness. His father was the first doctor in the Northern Bahamas, receiving payment in the form of fruits, vegetables and fish.  In the early years of Freeport, he also acted as the vet.  When Freeport became an international destination, he went on to become a renowned plastic surgeon and established a clinic known as "Doc Robert's Famous Black and White Clinic," a celebrated institution on the island. Everything in the clinic—right down to the designer sheets on the operating table—was in black and white.   Everyone from taxi drivers to royalty from all over the world came dressed in black and white to sit in the clinic and socialize. Brian's mother, one of the pioneer real estate developers of Freeport, built and ran the electric company for the western portion of the island.  On the twenty-fifth anniversary of independence of the Bahamas, Brian's father was declared a National Hero in a celebration at the Government House in Nassau, for bringing medicine to the Northern Bahamas.  Before him, as the Governor said, the sick in the Northern Bahamas had to sail for days to reach a doctor.

Brian's sister and brother are accomplished artists.  "I have a sister who chews and spits out chocolate and lard and a brother who writes in monkey language and my parents hang in drag in museums all over the world." He credits their courage in pursuing their art for showing him the way to follow his own passion for writing.

His brother Robert has authored four novels, including Divina Trace, which won the Commonwealth Writers Prize.  Some of Divina Trace is written in "monkey language"—a language made up by the author.  His acclaimed story collection, My Grandmother's Erotic Folktales, relates his paternal grandmother's stories. She lived with the family until she died at almost a century old.

Brian's sister, Janine, won a MacArthur Genius Award and is one of the most acclaimed conceptual artist in the world today.  She has worked in many mediums including chocolate and lard.  Her piece, Gnaw, which is in the permanent collection of MOMA, was created though the pain-staking process of gnawing at giant cubes of chocolate and lard, and then re-casting the spit-up residue into chocolate hearts and lipsticks.  She also turned her mother into her father and her father into her mother with wigs and theatrical make-up in a photographic work called Mom and Dad.

Brian went to Mary Star of the Sea Elementary school in Freeport and graduated from Pine Crest High School in Ft. Lauderdale.  He attended Emory University, majoring in history and graduating with honors.  He spent a year studying at the University of Madrid and then went to Georgetown Law School where he was on the dean's list and received a Juris Doctorate.  After passing the Florida bar, he studied British Law at Kings College, University of London and then studied advanced International law at the Salzburg University School of Law, within the Austro-American Institute of Education.  Brian then went to work as a James Dana Fellow for the European Economic Community in Brussels, where he assisted in development projects for African, Caribbean and Pacific nations.  Eventually, Brian left the E.E.C. and returned to the Bahamas to run the family business.  While there he wrote his first novel, Paradise Overdose (Simon & Schuster, November 1994) in which he spun a dramatic and compelling tale of love and friendship and corruption, which drew from his own family's exotic life.  

Twenty years ago, Brian Antoni moved to South Beach, following his family's tradition of being a pioneering settler. He bought and renovated a run down Art Deco apartment building named The Venus De Milo Arms and an exotic 1930's home, which he named "Chateaubrian." Brian's home contains a brilliantly edited collection of high and low art, furniture and objects that evoke the energy of the South Beach Renaissance—when eccentric pioneers ran amok but were still outnumbered by old Jewish retirees.  Antoni's home captures that raw inspired moment when cultures were clashing for the first time, and features an Alligator Wrestling road sign (hurricane Andrew Debris), works from several generations of Miami artists, a statue of a headless woman made from remains of demolished deco buildings, a fountain with his own face coming out of a mirror and spiting water into a pool, and seashells and ocean flotsam that his father, Dr. Robert, has glue-gunned to create entire walls.  This is all amidst the priceless modern furniture he collects, and a yard that is a full on tropical (bring a machete) jungle.  Much like his father's famous Black and White clinic, Brian's home became the scene of many sociocultural gatherings and celebrations.  Everyone attended  Brain's parties, from neighborhood folk, Cuban refugees, drag queens, and senior citizens to celebrity guests  (Timothy Leary, Bianca Jagger, George Plimpton, Zaha Hadid, Anselm Keiffer, Stephen King, Candice Bushnell, Oliver Stone, Betty Friedan, Kurt Vonnegut, Derek Walcott, P.J. O'Rourke, Gianni Versace, John Berent, Calvin Trilion, Mario Batali, Cameron Diaz, Joey Stefano, Joey Arias,  Ellen Barkin, Marissa Tomei, Michael Stipe, Bernadette Peters). "Chateaubrian" has been featured in magazines, television shows, and in many table-top books, including Tashen's Miami Interiors, along with South Beach Style, Outdoor Living Room and Garden Ornamentation.

Brian Antoni spent the last twenty years researching South Beach: The Novel, working – at times -- as a doorman and bathroom attendant at South Beach's hippest clubs.  He traveled illegally to Cuba to study the plight of refugees, interviewed numerous Holocaust survivors and visited Auswitch.  To learn about the fashion business, he rented his house out for photo shoots.  Bruce Weber shot part of an infamous Abercrombie and Fitch catalog at his house, in a photo story entitled Can You Find Love in a House of Lust?"  Helmut Newton shot porn star Vanessa Del Rio in his Florida Room in an advertisement for Taschen Books.

Brian became a contributing writer to Ocean Drive Magazine and was Editor-at-Large of the Miami Herald's Home& Design Magazine.   Brian also wrote about Miami, along with Carl Hiaasen, Dave Barry, Elmore Leonard and other authors, in the New York Times bestselling serial novel, Naked Came the Manatee. All proceeds from the novel were donated to charity.

 "I felt I had to tell the story of South Beach," Brian says.  It became an obsession. The reality of it was much stranger than fiction. I went out every night with a pad in my pocket and I just couldn't believe the things I saw.  I want everyone who comes to vacation here to know how close South Beach came to being totally destroyed, and I want them to know the soul of my neighborhood."


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